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We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.
Vincent finds himself under attack for no apparent reason overnight. When the phenomenon intensifies, he must run and change his way of life completely.
A single mother breeds locusts as high-protein foods but has trouble getting them to reproduce until she finds they have a taste for blood.