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When her father enlists to fight for the British in WWI, young Sara Crewe goes to New York to attend the same boarding school her late mother attended. She soon clashes with the severe headmistress, Miss Minchin, who attempts to stifle Sara's creativity and sense of self-worth.
British tennis player Peter clutches to an embarrassingly low position on the tennis-ranking ladder. Handed a wild card for Wimbledon, he expects it to be his final bow.
The fates of horses, and the people who own and command them, are revealed as Black Beauty narrates the circle of his life.
On the way to a party, a British couple dissatisfied with their marriage recall the gradual dissolution of their relationship.
An obscure Eastern cult that practices human sacrifice pursues Ringo after he unknowingly puts on a ceremonial ring (that, of course, won't come off). On top of that, a pair of mad scientists, members of Scotland Yard, and a beautiful but dead-eyed assassin all have their own plans for the Fab Four.
In order to win the Street Dance Championships, a dance crew is forced to work with ballet dancers from the Royal Dance School in exchange for rehearsal space.
A series of benefit shows staged initially in the United Kingdom to raise funds for the human rights organisation Amnesty International. The shows started in 1976 featuring popular British comedians but later included leading musicians and actors. The Secret Policeman's Ball shows are credited by many prominent entertainers with having galvanised them to become involved with Amnesty and other social and political causes in succeeding years.
Not So Much a Programme, More a Way of Life is a BBC-TV satire programme produced by Ned Sherrin, which aired during the winter of 1964–1965, in an attempt to continue and improve on the successful formula of his That Was The Week That Was, which had been taken off by the BBC because of the coming General Election. It too featured David Frost as compère, with two others, William Rushton and the poet P. J. Kavanagh joining him in the role. In addition to Saturdays, there were also editions on Fridays and Sundays. It saw the first appearances on television of John Bird, Eleanor Bron, Roy Hudd, Patrick Campbell and John Fortune. Michael Crawford also featured as 'Byron'. Whereas TWTWTW had had a dark nightclub atmosphere, the new programme used predominantly white sets. The programme lacked the impact of TW3 and lasted only one season before being replaced by the Robert Robinson-fronted BBC-3.
