A bored and domesticated Shrek pacts with deal-maker Rumpelstiltskin to get back to feeling like a real ogre again, but when he's duped and sent to a twisted version of Far Far Away—where Rumpelstiltskin is king, ogres are hunted, and he and Fiona have never met—he sets out to restore his world and reclaim his true love.

Villainous Gru lives up to his reputation as a despicable, deplorable and downright unlikable guy when he hatches a plan to steal the moon from the sky. But he has a tough time staying on task after three orphans land in his care.

A fanboy of a supervillain supergroup known as the Vicious 6, Gru hatches a plan to become evil enough to join them, with the backup of his followers, the Minions.

Shrek, Fiona, and Donkey set off to Far, Far Away to meet Fiona's mother and father, the Queen and King. But not everyone is happily ever after. Shrek and the King find it difficult to get along, and there's tension in the marriage. The Fairy Godmother discovers that Fiona has married Shrek instead of her son Prince Charming and plots to destroy their marriage.

Gru and his wife Lucy must stop former '80s child star Balthazar Bratt from achieving world domination.

The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.

A socially awkward but very bright 15-year-old girl being raised by a single mom discovers that she is the princess of a small European country because of the recent death of her long-absent father, who, unknown to her, was the crown prince of Genovia. She must make a choice between continuing the life of a San Francisco teen or stepping up to the throne.

The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale prince back home - she has to wonder: Can a storybook view of romance survive in the real world?

When minor-league hockey player Derek Thompson -- who has a penchant for knocking out his opponents' teeth every time he plays -- disillusions a fan, he is sentenced to a stint for one week as a bona fide, tutu-clad, real-life tooth fairy. Soon, Derek is inspired to rekindle his youthful dreams.

Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.

Mia Thermopolis is now a college graduate and on her way to Genovia to take up her duties as princess. Her best friend Lilly also joins her for the summer. Mia continues her 'princess lessons'- riding horses side-saddle, archery, and other royal. But her complicated life is turned upside down once again when she not only learns that she is to take the crown as queen earlier than expected...

In the years before the Second World War, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children, and brings a new love of life and music into the home. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2003.

During the Cold War, an American scientist appears to defect to East Germany as part of a cloak and dagger mission to find the formula for a resin solution, but the plan goes awry when his fiancee, unaware of his motivation, follows him across the border.

King Louis XIV's quest for immortality leads him to capture and steal a mermaid's life force, a move that is further complicated by his illegitimate daughter's discovery of the creature.

A Hollywood songwriter goes through a mid-life crisis and becomes infatuated with a sexy blonde newlywed.

The Pink Panther diamond is stolen once again from Lugash and the authorities call in Chief Inspector Clouseau from France. His plane disappears en-route. This time, famous French TV reporter Marie Jouvet sets out to solve the mystery and starts to interview everybody connected to Clouseau.

A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.

Wealth, lust, and betrayal set in the backdrop of Regency era England, seen through the eyes of the powerful Bridgerton family.

The story of how the young Queen Charlotte’s marriage to King George sparked both a great love story and a societal shift, creating the world of the Ton inherited by the characters in Bridgerton.

The Julie Andrews Hour is a television variety series starring Julie Andrews that was produced by ATV and distributed by ITC Entertainment. It aired on the ABC network in the United States. In order to secure Andrews for the series, Sir Lew Grade and ABC offered her an extremely lucrative contract. In 1963, when another major star, Judy Garland was signed to a weekly television variety series, it failed to catch on with the public. One of the main reasons for its demise was its constant change of format and the fact that critics and audiences felt that Garland was not shown off to her best advantage. In order to avoid that error, Andrews asked producer Nick Vanoff what the premise of the show would be about. Vanoff immediately answered her by saying "Julie Andrews...without Julie Andrews there is no 'Julie Andrews Hour'". The show premiered on ABC Wednesday, September 13, 1972 at 10:00 P.M. ET to rave reviews. Unfortunately, its time slot proved to be daunting because it was up against the popular CBS detective series, Cannon. Another reason for the low ratings was that the lateness of the hour was not conducive to family viewing since children were in bed by that time. On Thanksgiving Eve, November 22, 1972, "The Julie Andrews Hour" devoted an entire episode saluting Walt Disney. To make it more of a "family special", ABC switched the time slot of "The Julie Andrews Hour" that night to 8:30 P.M. and The ABC Wednesday Movie Of The Week to 9:30 P.M. The ratings improved a little so ABC then made a decision to alternate Andrews' time period each week This continued until January, 1973 when the series was moved to Saturday nights at 9:00 P.M. The ratings went from bad to worse as Andrews' chief competition was The Mary Tyler Moore Show and The Bob Newhart Show on CBS. "The Julie Andrews Hour" was finally canceled by ABC after its 24th episode in April, 1973.