A young woman is fated to relive the love of an earlier life. Separated by time, young Serena and botanist Rafael surmount all obstacles as they live a love that is stronger than fate itself. These challenges include the lovely but ambitious Cristina, who is obsessed by the rich botanist and driven nearly mad by her attempts to shatter their great love. A romantic comedy set in the 1940s, Soul Mate underscores the importance of love, family values and the ties of affection with a light touch and plenty of humor.

Começar de Novo is a Brazilian telenovela produced by Rede Globo and displayed in its traditional schedule of 19 hours between 30 August 2004 and April 16, 2005. Presented Natália do Vale, Marcos Paulo, Eva Wilma, Werner Schünemann, Carlos Vereza, Giselle Itié, Vladimir Brichta, Carolina Ferraz and Marília Pêra in the lead roles.

The struggling Lívia despairs when she learns that her husband, before dying, lost a fortune in shady deals. Widowed and with three children, she is forced to fight for her family and leaves for the paradisiacal beach town of Maramores, where her mother Zoroastra lives. Parallel to the difficulties, Lívia discovers that she is involved in the eternal struggle of Good against Evil. In fact, Lívia is the reincarnation of Princess Cecília, the eternal passion of the vampire Bóris Vladescu, who has been pursuing her for centuries. The two met in 7th century Europe, when Bóris disputed the princess's love with Count Rogério. Nowadays, Rogério was Beto, Lívia's husband, and the two times he faced Boris, his arch-enemy, he took the worst. Boris is in Maramores to get Cecilia, his immortal beloved. Or rather, Livia, who raises the boy Zeca, who she doesn't even suspect is actually a half-vampire, son of Boris. The vampire is willing to prepare his son to take his place, but Zeca is reluctant to accept his condition, much to his father's despair. With Bóris comes a legion of vampires willing to terrorize the residents of the peaceful city. Among them, the splendid Mina, his wife, and the gallant Victor, who involves the sweet Ciça in a game of seduction. Vampires are closely watched by the flustered Galileo Van Burger, a vampire hunter who failed to prevent his wacky son Bartô from being bitten. Who also keeps an eye on the vampires is the mystical Zoroastra, mother of Lívia, a modern witch, who owns the main inn in Maramores. And the mysterious Ezekiel, in reality an angel who came down to Earth to protect Lívia and Zeca from the evil that persecutes them. Engineer Rodrigo also arrives in the city, followed by his ex-girlfriend Lara. The two are the first victims of vampires. Lara is bitten by Victor and becomes an evil vampire, due to her bad temper. Rodrigo is bitten by Mina, who becomes pregnant and is expecting a daughter from him, which she says is from Boris. Meanwhile, Rodrigo is used by Boris to approach Lívia. Who does not like this involvement is Augusto, a friend of Lívia who has loved her in the past. Augusto is a widower who raises his small children with the help of sister-in-law Marta, a blind woman, but bitter and Machiavellian, who does everything to keep him from Lívia, because she loves him.

Ana Francisca is a poor and ugly girl who, after being humiliated by the entire town, becomes a beautiful, stylish and rich woman who wants revenge. During this trajectory, this romantic comedy also shows the true love of Ana Francisca and Danilo that survives throughout the years, the distance and the traps of destiny. They will be part of a love triangle with Olga, a snobbish girl who is going to do anything to steal Danilo from Ana Francisca

Is it possible that in a world ruled by appearance, there is room for loyalty, ethics, true love, honesty and solidarity? Is it possible, today, when unrelenting consumption is a way of life, to find someone who equates more value to being rather than having? Cobras & Lagartos is an urban tragic comedy, modern and humanist, that deals with two increasingly different worlds: one which values loyalty and solidarity and the other, where the seduction of superfluity and the power of money reign.