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In 1930s Korea, a swindler and a young woman pose as a Japanese count and a handmaiden to seduce a Japanese heiress and steal her fortune.
A hitman accidentally kills a little girl. Filled with regret, he wants to quit. But then to tie up loose ends, he is forced to go on another job, to kill the girl's mother.
Recently returned to South Korea, an actress in her forties is staying with her friend and her cat. Meanwhile, an aging poet in declining health lives alone after the death of his own cat. One day, each receives a visit from a different young aspiring artist, who come equipped with questions about their careers and life itself.
Asako in Ruby Shoes succeeds in providing yet another challenge to views of a homogeneous South Korea by presenting to us the Asian side of modern globalization. The film jumps back and forth from Korea and Japan, with each main character feeling out of place in their respective homes.
Orphaned Jang-geum becomes the first female physician in the Joseon Dynasty and her determination is tested when people around her start showing their true faces.
Oh Dan-Byul lost her parents due to her own mistake. She marries Joon-Young, but her husband passes away. Meanwhile, her mother-in-law, Ho-Duk, divorces because of her husband's infidelity and her sister-in-law, Se-Sil, returns to South Korea after divorcing her Italian husband. Now, these three women live together while overcoming their own personal problems and becoming important to each other.
An art history lecturer, unfairly disgraced for refusing to certify a suspicious painting, endeavors to set the record straight by exploring the mystery of a 16th-century artist using a diary that may lead her to the genuine painting.
