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André Masson, an auctioneer at Scottie’s, receives a letter from a lawyer claiming that a common worker in the suburbs of Mulhouse owns a painting by Egon Schiele. André’s first reaction is to believe that it can only be a fake. He decides to make the trip to Mulhouse anyway and against all odds, the painting turns out to be a masterpiece gone missing in 1939. This could undoubtedly be the turning point of his career, but after a brief investigation, he realizes that he has in his hands a looted work of art.
Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors — another work of auto-fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion.
The mayor of Lyon, Paul Théraneau, is in a delicate position. After 30 years in politics, he is running out of ideas and is faced with a feeling of existential emptiness. To overcome this, Paul hires a young and brilliant philosopher, Alice Heimann. Then follows a dialogue between two diametrically opposed personalities who will turn their certainties upside down.
