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A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.
C.S. Lewis, a world-renowned writer and professor, leads a passionless life until he meets spirited poet Joy Gresham.
Charles Dobbs is a British secret agent investigating the apparent suicide of Foreign Office official Samuel Fennan. Dobbs suspects that Fennan's wife, Elsa, a survivor of a Nazi Germany extermination camp, might have some clues, but other officials want Dobbs to drop the case. So Dobbs hires a retiring inspector, Mendel, to quietly make inquiries. Dobbs isn't at all sure as there are a number of anomalies that simply can't be explained away. Dobbs is also having trouble at home with his errant wife, whom he very much loves, having frequent affairs. He's also pleased to see an old friend, Dieter Frey, who he recruited after the war. With the assistance of a colleague and a retired policeman, Dobbs tries to piece together just who is the spy and who in fact assassinated Fennan.
Compact was a British television soap opera shown by the BBC between 1962 and 1965. The series was created by Hazel Adair and Peter Ling, who together went on to devise Crossroads. In contrast to the kitchen sink realism of Coronation Street, Compact was a distinctly middle-class serial, set in the more "sophisticated" arena of magazine publishing. An early "avarice" soap, it took the viewer into the business workplace, and aligned the professional lives of the characters with more personal storylines. The show was scheduled for broadcast on Tuesdays and Thursdays, thus avoiding a clash with ITV's Coronation Street on Mondays and Wednesdays. When Compact began, the editor was a woman, Joanne Minster, yet it was not long before she was replaced by Ian Harmon, the son of the magazine's owner. Despite being largely criticised by reviewers, Compact was popular with the general public, and in 1964 a regular omnibus edition was introduced, broadcast on Sundays. Morris Barry, a some-time actor and BBC director – he directed several Doctor Who stories in the 1960s – took over as producer and was given a brief to spice the series up in view of the criticism it had received from the national press. But the BBC, never comfortable with the concept of soap opera, quietly dropped the series in 1965.
